CURE is a performance diptych about personal memory, exploring possible relationship between private experience and public space. The installation in part I (Dancing) constructs an intimate theatre stage setting, where I performed both as a performer and an audience.  Part II (Wrapping) happened at the campus center with random people wispering and passing by. I used a metallic bandage to bind my wounded foot, making constantly harsh noise that both comforts me and creates an awkward parallel to my repetitive movement.